The
documentary is written, produced and directed by the Turkish filmmaker Tolga
Ornek (born 1972); narrated in English by the American actor Joseph Campanella
(born 1924); produced by Ekip Film in 2001; and released on DVD by Cinema Epoch in 2004. It is
in colour, and the running time is 52 minutes.
The ancient
monument is presented in three stages:
SECTION 1 explains
how the monument was discovered and investigated in modern times:
** It was discovered by the German engineer Karl Sester in 1881.
** An expedition led by German archaeologists Otto Puchstein and Karl Humann took place in 1882-1883. Their results were published in German in 1890.
** An expedition led by Turkish (Ottoman) archaeologists Hamdi Bey and Osgan Effendi took place in 1883. Their results were published in French in 1883.
** Further investigations led by American archaeologist Theresa Goell took place 1953-1973. An article in the National Geographic Magazine of March 1961 gives an early report. The complete report was published in two volumes in 1996.
Queen of the Mountain is a documentary film about Theresa Goell and her field work in Turkey ; produced by Martha Goell Lobell
and released by Women Make Movies in 2005.
SECTION 2 describes
the monument and the king who built it: Antiochus I of Commagene. The monument
is known as a hierothesion, i.e. a monumental royal tomb.
One terrace
faces east; another terrace faces west. Between them there is a tumulus, i.e.
an artificial mound, ca. 50 m high and with a diameter of ca. 150 m . The layout of the two terraces is
almost the same: a high platform with nine huge statues and a low platform with
seven reliefs.
The statues
(which were 8-10 m high) portray the following from
left to right: 1. Lion A; 2. Eagle A; 3. Apollo-Mithras-Helios; 4. Commagene
deified as Tyche or Fortuna; 5. Zeus Oromasdes; 6. King Antiochus himself; 7.
Artagne-Heracles-Ares; 8. Eagle B; 9. Lion B.
The reliefs
portray the following from left to right: a lion and an eagle; the king shakes
hands with a god (this scene, known as dexiosis, appears four times); a huge
lion decorated with the star signs; an eagle and a lion.
The
monument has been damaged by the harsh climate (cold winters and hot summers).
Perhaps it was vandalised in antiquity. When discovered the statues had lost
their heads; they were lying on the ground. Some statues were in a sad
condition, but other parts of the monument were well preserved. On each terrace
there is a long inscription in ancient Greek which explains the purpose of the
monument.
King
Antiochus I ruled Commagene for more than thirty years in the first century BC,
from 70 or 69 to 38 or 36 BC. He says that his paternal ancestors were Persians
and his maternal ancestors were Greeks and Macedonians.
Modern
scholars believe the lion with the star signs gives a horoscope for the date 7
July 62 or
61 BC, but the meaning of this date is uncertain. It could mark the date when
the work on the monument was begun (62); or the date when Antiochus was
recognised as an independent king by the Roman politician Pompey (61).
SECTION 3 places
the king, his monument and his kingdom in a historical context. Commagene was
an independent kingdom from 163 BC to AD 72, when it was annexed by the Roman
Emperor Vespasian.
The kingdom
was located between two powerful neighbours: Persia (the Parthian Empire) in the east
and the Roman
Empire in
the West. It was located on the western bank of the River Euphrates, which
meant that the king could profit from the trade conducted on this river.
WITNESSES
From time
to time the narration is interrupted by a modern witness, who provides
additional information about the monument, the king or the history of the
region. Seven experts appear:** Donald H. Sanders, an American archaeologist
** Nezih Basgela, a Turkish archaeologist
** Sencer Sahin, a Turkish epigrapher,
** Hans-Gert Bachmann, a German geologist, who worked with Theresa Goell
**Jorg Wagner, a German archaeologist and historian
** Andrew Gregory, an American historian,
** Margherita Facella, an Italian historian,
[The two
Turkish witnesses speak Turkish, but their statements are dubbed into English.]
[The
complete report of the American investigation was published in two volumes in
1996 edited by Goell, Bachmann & Sanders: Nemrud vol. 1 and Nemrud vol.
2.]
The camerawork by Ferhan Akgun, director of photography, is very good. Most scenes are shot on the ground, but several scenes are taken from the air, which helps us understand the layout of the monument. Some scenes are reconstructed, for instance the German expedition in 1882-1883. Sometimes 3D animation is used to show us how (the experts think) the monument appeared in antiquity.
Additional
information about the ancient monument is available in the following books: Splendors
of Ancient Persia by Henri Stierlin (pp. 176-189) and Hidden Treasures
of Antiquity edited by Alberto Siliotti (pp. 216-223).
The
ancient monument is fast becoming a big attraction for tourists travelling in
the eastern part of Turkey .
Practical information about the site and how to get there is available in the following books: James Bainbridge, Lonely PlanetTurkey (2011) pp. 583-588 and Diana
Darke, Eastern
Turkey
(Bradt Travel Guides) (2011) pp. 215-222.
Practical information about the site and how to get there is available in the following books: James Bainbridge, Lonely Planet
* * *
Mount Nemrud: The Throne of the Gods,
Released on DVD in 2004
Run time ca. 52 minutes
* * *
Mount Nemrud: The Throne of the Gods,
Released on DVD in 2004
Run time ca. 52 minutes
* * *
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