Betty & Coretta is a Lifetime Movie, an 85-minute drama-documentary, which was released in 2013. Directed by Canadian filmmaker Yves Simoneau, it follows the lives of two women, who became widows when their husbands were killed because of their political activities: Betty Shabazz, widow of Malcolm X, and Coretta Scott King, widow of Martin Luther King Jr.
The cast includes
the following:
** Malcolm X
(1925-1965) played by Lindsay Owen Pierre
** Betty Shabazz
(1934-1997) played by Mary J. Blige
[Malcolm X married
Betty in 1958. They had six children. As far as I know, they are all still
alive.]
** Martin Luther
King (1929-1968) played by Malik Yoba
** Coretta Scott
King (1927-2006) played by Angela Bassett
[MLK married
Coretta in 1953. They had four children. As far as I know, three of them are
still alive.]
** Merlie Evers
(born 1933) played by Gloria Reuben [only one scene]
** Louis Farrakhan
(born 1933) played by Alex C. Askew [only a glimpse]
** Ruby Dee (1922-2014)
is the narrator of the film. She appears as herself in the first and the last scenes of
the film, and a couple of times in between, in order to move the story forward.
Sometimes historical footage in black-and-white is shown while she is speaking.
I think this known as voice-over.
The time frame of
the film is 1965-2011.
** In February 1965,
Coretta Scott King and Malcolm X met for the first and only time, shortly before
Malcolm X was assassinated.
** In October
2011, a Washington DC memorial for MLK was dedicated by President Obama.
THE PLOT
In this film,
Malcolm X and MLK are secondary characters. They are only seen in the
beginning of the film, during the first thirty minutes, because the focus is on their wives and
their lives after they became widows.
Malcom X and MLK
did not see eye to eye. In order to explain their differences briefly, perhaps
I can say that they had more or less the same goal, but in order to reach this
goal they recommended different methods and strategies. They met face to face only
once, in March 1964. This moment is not shown in the film, because it is outside
the time frame.
Betty and Coretta
met for the first time during the Black National Political Convention that was
held in Gary, Indiana, in March 1972. Both of them attended and addressed the
convention as we see in the film, and during this event they formed a
friendship that lasted until Betty died in 1997.
Both women had to
raise a family with many children on their own. None of them remarried. Both of
them tried in some way to carry on the work that their husbands had initiated.
Coretta focused on a campaign to establish a national holiday named after her
husband, while Betty went back to school and later got a job at a college named
after civil rights activist Medgar Evers, who was killed in 1963.
Coretta’s campaign
was crowned with success in 1983 when the US Congress passed a bill designating
his birthday (15 January) as a national holiday to be celebrated on the third
Monday in January. The day has been observed since 1986 by some states and
since the year 2000 by all fifty states.
In 1999, Malcolm X
was officially recognised by the US authorities when the US Postal Service
issued a postage stamp with his name and picture. Betty did not live to see
this moment. In the film, we see Coretta going to a post office to pick up a
block of these stamps. She is happy to see them.
HISTORICAL
ACCURACY
A message placed at the
end of the movie says:
“Although based on a true story, certain characters, events, and dialogue have been adapted in the process of dramatization.”
“Although based on a true story, certain characters, events, and dialogue have been adapted in the process of dramatization.”
In other words,
the producers do not claim that every detail of the film is historically
accurate.
Before writing
this review, I searched the internet to see what other reviewers have said
about it. Many reviewers like the film, but they do not love it. They give it
three or four stars, but not five. I understand. I agree. This film is good,
but not great.
Barbara Reynolds discusses
the film in an article “Debunking the myths” published in the Washington Post
on 1 February 2013. She reveals that the families of Betty and Coretta were not
consulted while the film was being made and they are not happy with the result.
Perhaps they would only give it one or two stars.
If I were the
director of this film, I would have consulted the families, if only to be able
to say that I had done so. Obviously, I would not promise to follow every
suggestion made by them, but I would promise to listen to them and consider
their input. Some suggestions might be unreasonable or even contradictory.
Perhaps one family would want a certain fact included, while the other family
wanted the same fact excluded.
In her article, Barbara
Reynolds quotes Ilyasah Shabazz, one of the six daughters of Malcolm X and Betty
Shabazz:
“My mother was not a weak, timid, insecure woman as
portrayed. She was regal, compassionate, strong, loving, beautiful, resilient
and well-educated. That is why the Delta Sigma Theta sororities named academies
all across this country after her, so others could be inspired [and learn] how
to turn tragedy into triumph.”
This general complaint
is not fair, because the film does not portray Betty as a weak, timid, insecure
woman. Perhaps Ilyasah Shabazz is simply upset that she was not consulted, and so
she feels she must find something to complain about.
However, one
specific complaint seems to be valid:
“My mother did not tie a
scarf to her face as she was shown wearing in the film.”
This is a reference to a scene with the funeral of
Malcolm X. In the beginning of this scene Betty is wearing a veil over her
head, but she removes it later.
Another complaint, which may be valid, concerns a
meeting of the two families, two mothers and ten children, which is shown in
the film. According to the children, this never happened.
If the producers had consulted the families while the
film was still in production, such historical inaccuracies might easily have
been avoided.
DIFFICULT ISSUES
The film does not shy away from problems. The
producers deserve credit for having the courage to cover some difficult issues.
Regarding Coretta, we hear about the FBI tapes
recorded while MLK was still alive. She claims they are illegal and should be
destroyed. Critics might say that she is afraid what the tapes may reveal about
her husband.
Regarding Betty,
we hear about the problems with her daughter Qubilah, who was born in 1960.
Qubilah is admitted to Princeton University. The mother is happy for her, but
the daughter says she does not fit in, so she moves to Paris where she attends
the Sorbonne. Soon she is back in the US with a son (born 1984), but no father.
Her life is not exactly a success story.
The horrible end
of Betty’s life in 1997 is also covered, even though it seems that historical accuracy was
sacrificed in order to produce a dramatic and emotional scene. In the film,
Betty is covered in gauze but still able to talk to Coretta who visits her in
the hospital. According to the family, Betty was so injured from third-degree
burns that she was unable to speak.
CONCLUSION
I like this film.
It is refreshing to see the civil rights movement covered from a female
perspective. This is the strong side of the film. However, there are also some
flaws.
We do not get
close to Betty and Coretta. In the time that is available, less than 90 minutes,
the film has to cover more than thirty years in the lives of two persons. As a
consequence, the film feels like a series of separate anecdotes about these two
women. Several issues are mentioned but never explored even though they deserve
it. Here are two examples:
# 1. Coretta’s
campaign for the national holiday to remember MLK. She wants it, and she gets
it. Apparently, she was the driving force behind the campaign, but how did she
do it? There is nothing about the actual campaign in the film.
# 2. Betty’s radio
show. In one scene we see her in the studio just before she goes on the air.
She is on the phone with Coretta but has to hang up because the show is about
to start. The show begins and the scene ends. This is all we get. There is
nothing about the radio show in the film.
This is why I say:
this film is good, but not great, and this means four stars.
PS # 1. On IMDb Betty
& Coretta has a rating of 62 per cent. On Rotten Tomatoes it has a rating
of 68 per cent.
PS # 2. Angela
Bassett (born 1958) has appeared in several films about iconic characters in
the African-American world. She played the title role in The Rosa Parks Story
from 2002. She played Betty Shabazz two times: in Malcolm X from 1992 and in Panther from
1995. When she played Coretta in this film from 2013, she must have felt she was
playing opposite herself!
PS # 3. The
Washington Memorial to MLK is mentioned in the very first scene of the film.
There is an excerpt from President Obama’s dedication speech in October 2011,
and Ruby Dee says:
“I never thought I’d live to see this day; a monument to Martin Luther King, dedicated by our first African-American president, on the National Mall.”
“I never thought I’d live to see this day; a monument to Martin Luther King, dedicated by our first African-American president, on the National Mall.”
What she does not
say, and what the film never explains, is that the estate of MLK played a less
than glorious role in the creation of this monument. The estate demanded (and
got) a huge fee, more than 1 million dollars, because the monument uses his
likeness and some of his words.
Cambridge University historian David Garrow, who won a
Pulitzer Prize for his biography of King - Bearing the Cross - said of the
family’s behavior:
“One would think any family would be so thrilled to have
their forefather celebrated and memorialized in D.C. that it would never dawn
on them to ask for a penny.”
He added that MLK would have been “absolutely
scandalized by the profiteering behavior of his children.”
The King estate’s
demand for money is also the reason why the speeches given by MLK in the 2015 film
Selma are not original. They had to be rewritten, because the King estate
would not allow the producers of the film to use his original words for free.
For more details
about this aspect, see the following articles, which are available online:
** “I have a
copyright: The problem with Martin Luther King’s speech,” Mother Jones, 23
August 2013
** “Martin Luther
King’s family have milked his legacy,” Daily Mirror, 6 February 2014
** “King had a dream.
His children have an army of lawyers,” Boston Globe, 19 January 2015
***
Betty &
Coretta,
A Lifetime Movie,
85 minutes, 2013
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