Diego Rivera (1886-1957): A Revolutionary Spirit in
Modern Art by Andrea Kettenmann was first published in 1997. Since then it has
been reprinted several times. This review is based on a hardcover version that
was published in 2015.
The author Andrea Kettenmann studied art history in
Giessen, Göttingen and Heidelberg before joining the department of art history
at the University of Hamburg. In 1986 she visited Mexico on a fellowship and
now she lives there, working as a freelance art historian.
This biography of Diego Rivera is a volume in a series
about famous artists published by the German publisher Taschen. So far, there
are 29 volumes in this series. A related series covers different types of art.
There are nine volumes in this series. A second related series covers
architecture. There are eight volumes in this series.
While the book is published by a German publisher,
there is no need to worry about the language, because everything in it is in
English.
The main text is divided into six chapters which
follow a chronological line from 1886 when Diego was born until 1957 when he
passed away. At the end of the book there is a timeline which covers Diego's
life and work. There is also a section called "Notes" with
references. Finally, there is a section with photo credits.
What about illustrations? The book is illustrated
throughout. All paintings are in colour, unless the original happens to be a
drawing in black-and-white. Almost every painting by Diego that is mentioned in
the text is shown in the book; in most cases, text and illustration are not too
far from to each other, which is reader-friendly.
Some illustrations are photos. Because they were taken
long ago, they are in black-and-white. We cannot complain about that.
PART ONE
PART ONE
This biography of Diego Rivera covers his life and his
career. Obviously, there is a strong focus on his work as an artist.
We meet the man and the people around him. His family and his
friends. The most important person in his life is Frida Kahlo, who was
twenty-one years younger than him. In her he found his soul mate. They were
both artists and both belonged to the left wing of politics; sometimes they
were members of the pro-Soviet Communist Party of Mexico.
They worked in different ways: Diego often painted
large murals on walls, while Frida mostly painted small motives on a canvas,
but they complemented each other very well. Their styles were also different:
Diego often used the history of Mexico as his theme, while Frida often made
portraits of herself, but they shared a deep interest in the history of their
country.
Diego and Frida met in 1928. They were married the
following year. In 1939, they divorced, but in 1940 they re-married, and this
time they remained together until 1954 when Frida passed away. Perhaps they could
not live together, but on the other hand they could not live without each
other. They were soul mates.
Diego had a long life during which he lived, worked
and studied in several countries. At first he was in Mexico. Then he moved to
Europe, where he stayed in Spain, France and England. After this he returned to
Mexico. Then he travelled to the Soviet Union. After this he returned to
Mexico. Then he moved to the United States. After this he returned to Mexico.
He had many partners. Sometimes he was married to
them, sometimes they just lived together. He also had several affairs. When he
had an affair with Frida’s younger sister, Christina, Frida was very upset, but
later she forgave him.
PART TWO
Andrea Kettenmann has written an excellent biography which
covers Diego's life and career in great detail. Most importantly, the author shows
why Diego is so special; why he is recognised as an artist of international
standing.
I like this book, and I want to give it a warm
recommendation, but I have a few minor quibbles. Let me explain:
# 1. In 1936, Frida and Diego had petitioned the
Mexican government to grant political asylum to Trotsky, and the Mexican
President Cardenas had granted their request. Trotsky and his family arrived in
Mexico in 1937 and he remained in this country for the rest of his life.
The Mexican artist David Alfaro Siqueiros, who was a
friend of Diego's, is mentioned several times. But the author fails to mention
that David remained loyal to Stalin, while Diego began to lean towards Trotsky.
David was so loyal to Stalin that he was ready to lead an armed attack on
Trotsky's "fortress" which took place in May 1940. The attack failed.
Trotsky survived, but it was a warning that Stalin was anxious to see Trotsky
dead.
# 2. Frida and Diego invited Trotsky and his family to
stay at the Blue House in Coyoacan (a suburb of Mexico City). They stayed there
from 1937 to 1939. In 1939 Diego broke with Trotsky “after a number of personal
and political arguments,” and they moved to another house that is known as “the
fortress.” But the author fails to tell us what happened to Trotsky afterwards.
He was killed by Ramon Mercader, a Stalinist agent who
had charmed his way into the building by pretending to be the boyfriend of
Trotsky's assistant. In August 1940, when Ramon was alone with Trotsky in his
study, he attacked him with a pick-axe. Trotsky died from his wounds the
following day.
I realize this book is a biography of Diego Rivera and
not of Leon Trotsky, but the lives of Diego, Frida, and Trotsky are closely
intertwined when we look at the years from 1936 to 1940. Since the author
introduces Trotsky, she should also tell us how the story ends and not just
leave him hanging in the air.
CONCLUSION
As stated above, these remarks are minor quibbles. I
mention them here, because they deserve to be mentioned, for the record, but I
will not allow them to disturb my overall impression of the book. Regardless of
these minor quibbles I still think this is an excellent biography and I want to
give it a strong recommendation.
PS # 1. If you come to Mexico City, you can visit the
Blue House where Frida Kahlo was born and grew up, where she lived for a while
as an adult and where she died in 1954. Shortly after her death it was turned
into a museum that is open to the public.
You can also visit “the fortress” on
Avenida Viena where Trotsky lived with his family from 1939 and where he was
killed in 1940. After his death this building was also turned into a museum
that is open to the public.
PS # 2. In the centre of Mexico City you can see some
of the murals painted by Diego Rivera. In the courtyard of the National
Palace you can see several panels which cover five hundred years of Mexican
history (several examples are shown in chapter five).
In a special museum for
Diego, you can see the fascinating mural from 1947 that is called “Sunday
Afternoon Dream in Alameda Park.” A detail of this huge painting appears on the
front cover of the book and inside the book on page 75.
PS # 3. For more information about Frida Kahlo and
Diego Rivera, see the following books:
** Frida and Diego by Catherine Reef (2014)
** Frida Kahlo and Diego Rivera by Helga Prignitz-Poda (2015)
** Frida and Diego by Catherine Reef (2014)
** Frida Kahlo and Diego Rivera by Helga Prignitz-Poda (2015)
PS # 4. For information about Trotsky and his time in Mexico, see the
following books:
** Trotsky in Mexico, 1937-1940 by Alain Dugrand (1992)
** Stalin’s Nemesis: The Exile and Murder of Leon Trotsky by Bertrand Patenaude (2009) (2010)
** Trotsky in Mexico, 1937-1940 by Alain Dugrand (1992)
** Stalin’s Nemesis: The Exile and Murder of Leon Trotsky by Bertrand Patenaude (2009) (2010)
PS # 5. Frida is a 2002 historical drama based on the life of Frida Kahlo. Since this drama is made in the US, all characters speak English,
even though they are from Mexico and they should speak Spanish!
PS # 6. The
Life and Times of Frida Kahlo is a documentary film from 2004 which is
available online. It is produced by Daylight Films. Run time: 85 minutes.
Frida Kahlo is a documentary film which premiered in 2020. It is an episode of the series Exhibition on Screen. Run time: 90 minutes.
Becoming Frida Kahlo is a documentary film (in three episodes) which premiered in 2023. Run time: 3 x 55 minutes = 165 minutes.
PS # 7. Andrea
Kettenmann has also written a biography of Frida Kahlo: the title is Frida
Kahlo (1907-1954): Pain and Passion (Taschen, first published 1992) (reprinted
2015).
PS # 8. There are
two chapters about Diego Rivera and his work in the anthology Art and Architecture
in the Service of Politics edited by Henry A. Millon & Linda Nochlin (the
MIT Press, 1978):
** Stanton L.
Catlin, “Political Iconography in the Diego Rivera Frescoes at Cuernavaca,
Mexico,” chapter 11, pp. 194-215
** Max Kozloff,
“The Rivera Frescoes of Modern Industry at the Detroit Institute of Arts:
Proletarian Art under Capitalist Patronage,” chapter 12, pp. 216-229.
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Diego Rivera and Frida Kahlo
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